March10
I continue my series of capsule movie reviews that I began 13 months ago with Casablanca. Except for Pale Stumblebum, the American Film Institute lists these movies as among the 100 greatest of all-time. The proof that AFI is right is that I agree.
1. Civil War Aftermath - starring Alan Ladd as himself, Van Heflin as a farmer, Jean Arthur as Van’s wife, Walter J. Palance, as a dirty Yankee liar, Emile Meyer as the cattle baron, and Brandon de Wilde in an unsupporting leg cast. Prologue, before curtain goes up: Homesteaders and the cattle baron dispute territorial rights. Act I – Retired mass murderer, Alan, seeks temporary position with farmer Heflin before riding off into the fading, gorgeous sunlight. Alan gets hired and puts on a shooting exhibition for Van’s son, Brandon. Act II – Emile hires Walter to kill farmers but, first, makes a last ditch effort to talk sense into Van. Offers to buy him out at a fair price and retain him as manager of all the land he can survey. Van refuses. While the two men negotiate, Walter and Alan size each other up in a manner that can only be described (to coin an expression) as pregnant with meaning. They know a showdown is inevitable. Act III – Alan rides into town, intent on slaughtering Emile and his feeble crew but itching for that showdown with Walter. He goads Walter into a duel by calling him a dirty, lowdown Yankee liar. Alan slays Walter while Brandon watches. Brandon asks Alan whether Walter was fast. Alan replies, “Yes, he was fast.” For clarification, in case Brandon thinks Alan meant Walter was a good runner, Alan tacks on, “Fast on the draw.” Alan rides off into the ever-fading but glorious sunset while Brandon begs him to stay. Alan knows he must leave because he is in love with Jean and, out of respect for Van, must surrender the field. This film shares the prize with A Place in the Sun as the most romantic movie ever made or ever will be made. Only dirty, lowdown NY sophisticates disagree.
Fading Sunset - starring Gary Cooper as himself, Grace Kelly as the future Serene Highness of Monaco, Katy Jurado as someone or other. Prologue, before curtain goes up: Katy and Grace compete for the affections of gun-slinging Gary. Grace, best know as the younger sister of great oarsman, Jack Kelly and daughter of super, super, super oarsman John Brendan Kelly, has too much breeding for Kate and, as the opening scene begins, is preparing for her honeymoon with Gary. The townsmen are eager for them to be on their way because bad guys are gunning for Gary. Act II – Gary decides to stay because a man’s got to do what a man’s got to do. His request for help is politely turned down. Act III – While Tex Ritter groans offstage “Do not forsake me, oh my darlin,” Gary dispatches the bad guys. The movie’s title is explained by the fact that Grace was 20 years old and Gary an over-the-hill 50 at the time of filming. Tex dies 3 years before son John makes a fortune from his money-making TV show Three’s Company. A tragic anti-climax.
Pale Stumblebum – the pale remake of Shane. starring Michael Moriarty as a struggling miner, Clint Eastwood as himself and Sydney Penny as the tantalizing hot 14-year old daughter of Michael. Act I – Clint rides into town and encounters the mining king and his band of incompetents trying to chase Mike and fellow miners away from their God-given right to become capitalists. Act II – He kills the mining king and his dull-witted band of incompetents easily and rides off into that still ever-fading sunlight. In a cheap, lowdown imitation of Shane, Sydney is required to cry out in her best Brandon voice, “Come back, Preacher,we love you.” Sydney is a tempting piece if ever there was one, but concerned about the law’s forbidding of sex with minors, Clint rides away.
The Unbearable - starring Clint Eastwood as a retired mass murderer (a la Alan Ladd) who never quits being resentful, Gene Hackman as a once-upon-a-time killer, Richard Harris as a prissy fake gun-slinger and Morgan Freeman as a free-loading actor with no responsibilities. Act I – Prostitutes hire Clint to kill a man they don’t like. Intermezzo – While Clint is on route from 1000 miles away, Gene defrocks Richard and chases him out of town. This is a Shakespearean comic relief interlude, having nothing to do with anything. Act II – Clint arrives and kills people, notably Gene who whines that he deserves better. Clint reminds Gene, just as he puts one more bullet into his brain, that in the West, in addition to doing what a man’s got to do, a man is also free to do whatever he goddam wants to do. Postquel - For movie goers who like to watch credits, we learn that Clint has retired again to open a drygoods shop somewhere in California. This movie is deservedly ranked # 4 among the all-time great Westerns, just behind Civil War Aftermath, Fading Sunset and [See next line.]
Mr. Trace, Keener than Most Persons – For whatever reason, Mr. Trace is also known as The Searchers and Finders (sometimes abbreviated as The Searchers) . It stars Duke Wayne as Duke Wayne and neither has nor needs a supporting cast. However, although not really needed, Natalie Wood is in the movie and Duke is presumably looking for her. She is needed in order to groom her to be Marni Nixon’s understudy in the upcoming East Side, West Side starring the unforgettable Richard Beymer in this modern retelling of Shakespeare’s smash hit, Romeo and Juliet. Whatever. In the final scene of Mr. Trace, Keener than Most Persons, Duke walks off into the still, fading sunlight, which never gets turned off in the Hollywood backlots. Duke is getting old and has too many saddle sores for riding away. Duke cheats life and personal shame by dying before nephew Tommy (Duke) Morrison suffers ignominiously from HIV, putting a halt to his promising boxing career.
Now I am off to watch a Kurosawa Western because I am mad at myself.